There’s a good chance you’ve grown up watching Lesley Ann Warren in iconic roles like Cinderella in the beloved 1965 TV musical, laughing at her Oscar-nominated performance as a ditzy mob moll in Victor/Victoria, or cheering her Golden Globe-winning turn in the miniseries Harold Robbins’ 79 Park Avenue. Even if you’ve played along with her as Miss Scarlet in the film adaptation of the board game Clue, her career has left an indelible mark on pop culture. But if the thought of her now being 73 makes you feel old, Lesley Ann certainly doesn’t share that sentiment.
“This is such an incredible time for me,” Lesley exclusively shared with Closer Weekly, in the magazine’s latest issue, currently available on newsstands. “I’ve been in the business since I was 17, and now I’m finally embracing what’s on my plate without the pain and frustration that comes with being a younger actor. Anything I do now that I truly want to do feels like a gift,” she said with a sense of gratitude and joy.
Lesley Ann recently reunited with Brian Dennehy for the heartfelt new film dramedy, 3 Days With Dad. But what truly excites her these days is her 19-year marriage to her second husband, advertising executive Ron Taft, 71. “My girlfriend calls him Mr. Wonderful!” she jokes with a laugh. Now, Lesley opens up to Closer about their meeting, her famous friendships, the most important lessons she’s learned, and much more.
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Scroll down to read our exclusive Q&A with Lesley Ann!
What drew you to your role in 3 Days With Dad?
The character is incredibly complex, unpredictable, and paradoxical in nature. Finding my way into that role was an exhilarating challenge, and I knew it would be a thrilling ride. There’s something about diving into the unknown that keeps me excited about acting, even after all these years.
Did anything in the film resonate with you personally?
Absolutely. One of the biggest things I’ve been working on is overcoming my fear of loss. It hits me hard, and it’s something I’ve struggled with for a long time. Life evolves, and I want to come to terms with that reality. It’s a lesson that’s been reinforced through this film and my own experiences.
What was it like working with Julie Andrews and James Garner on Victor/Victoria?
Oh, James Garner was wonderful, but I formed a deep bond with Julie [Andrews]. She’s an extraordinary person, and working with her and her late husband, director Blake Edwards, were two
